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Pentagon

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Tomáš Pfeiffer
SPACETIME + GRAVITY

Pentagon

Folding the Möbius strip in another way will result in a shape of pentagon – another symbol of major importance, again with one surface and one edge. This is a symbolic demonstration of The Creative Four, thus duality in duality, when the zero point divides into two parts–points, and consequently these two points divide again into two. This creates the duality in duality – a quaternion of points, primary forces, elements, exactly as found in the respective citations of Josef Zezulka’s philosophy of Existence.

Figure 18 – Zezulka’s symbol of The Creative Four – a pyramid composed of five points, which is the basis of The Creative Work

Figure 18 – Zezulka’s symbol of The Creative Four –
a pyramid composed of five points, which is the basis
of The Creative Work

Figure 19 – Pentagon – the sides are in the golden ratio

Figure 19 – Pentagon – the sides are in the golden ratio


Figure 20 – When viewed from above, we see an equal-armed cross – a symbol of our reality – the Creative Work where forces of matter and spirit intersect, forming the “reality” of our world.

Figure 20 – When viewed from above, we see an equal-armed
cross – a symbol of our reality – the Creative Work
where forces of matter and spirit intersect,
forming the “reality” of our world.

 
 
 
 
Tomáš Pfeiffer – SPACETIME + GRAVITYTomáš Pfeiffer – SPACETIME + GRAVITY
Translated from the Czech originals “Časoprostor” and “Gravitace”.
Published by © Tomáš Pfeiffer – Dimenze 2+2 Praha, Soukenická 21,
110 00 Praha, Česká republika, 13 December 2018, www.dub.cz,
ISBN 978-80-85238-31-0
All rights reserved. No part of this publication may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying, recording or any information storage or retrieval system or translated into another language, without prior permission in writing from the publishers.
Graphic design including fractal geometry images,
visual works © Tomáš Pfeiffer
Available online at www.dub.cz
© Tomáš Pfeiffer, 2018